Where I explore new tools, experiment, and stretch my range as a generalist.

An octagonal crab drawn in ASCII. Glyphs and dither become pearl armor, neon claws, and a glowing core. Made with GPT Image 2.

Warmth caught mid-motion. Molten gold, orbiting trails, and grainy light flow through the dark like heat you can almost feel. Made with GPT Image 2.

Exploring different visual styles, moods, and worlds through prompt-driven image and video generation in Midjourney.

A solo concept exploring how neuroaesthetic interaction can support emotional regulation. A trauma-informed, nonverbal alternative to conventional wellness apps, inspired by Your Brain on Art. Made with Figma Make.

Sitting at the console of a working robot. A humanoid runs a warehouse pick-and-place loop while the control interface reads its vitals: battery, joint load, gait stability, alarms that wait to be acknowledged. Watch from above, through its eyes, or in VR. Made with Unity and Claude Code.

A specialty coffee e-commerce redesign leaning on editorial typography and rich product imagery. Bold brand color meets calm layouts to carry browsing, discovery, and subscription flows.

Exhibited at SF's Ferry Building and reviewed by a jury that included Jony Ive. An interactive booklet of maps, stamps, and coupons for ULI San Francisco's Market Street Reimagined competition, built to revive foot traffic and support local businesses.

A parametric pavilion of wave-like metal and semi-transparent glass, sited at a park pathway intersection and built around light, water, and quiet. Made in Rhino and Grasshopper.

A team 3D adventure built in Unity. As game designer, I shaped levels and mechanics where players shapeshift between humans, wolves, and seagulls to solve puzzles.

What immersive flight can feel like inside a browser. Steer through rotation-based controls, adjust thrust, manage onboard power systems, and engage warp while traveling through layered deep space. Made with Figma Make.

A predator-prey ecosystem rebuilt from an old course project, now living in a glowing ASCII terminal where fish hunt, flee, feed, and breed, and the tank cycles through boom and collapse. Made with Claude Code.

Fast fashion e-commerce reimagined through a sustainability lens. Size-finding tools, eco-shipping, and sustainability labels to cut returns and nudge conscious purchasing.

A tri-gear mechanism modeled in SolidWorks. Rotating the primary crank transfers motion to two more gears in one linked movement, and a secondary crank on the central bar converts that rotation into vertical motion through a crank pin.

A debut 3D animated short built in Maya with a student team. As animator and scene designer, I shaped the scenes and motion for a story about responsibility and impulsive commitments, following a teddy bear left behind when a young couple parts ways.

As an animator, I collaborated with an illustrator to create this kinetic typography project in After Effects, inspired by "I Believe in a Thing Called Love" by The Darkness, blending animation and illustration to capture its bold and expressive themes.